Biography
Before I found landscape photography, I was lost in a sea of possibility. I didn’t have much direction and had nothing to really focus my energy on. I was lazy and felt life was kind of underwhelming… boring. With all that unused energy, I’d get mad easily and wasn’t the best son or brother I could be. I was uninspired, and my ambition floundered. I tried to find things I enjoyed and had some success, but it never lasted. It wasn’t all bad, to be fair—I have great parents, and they worked damn hard to give me the best childhood they could. But it wasn’t their problem to solve. It was mine.
About eight years ago, around the age of thirteen, I picked up a camera for the first time—my dad’s camera, the one he got from a passed-away relative I never met. It wasn’t meant to be an exploration into a new hobby; I was just trying to progress an old one that no longer gave me much life. But as I learned how to use it, something clicked inside me. It wasn’t a noticeable change at the time, and even now I don’t recall exactly why it gave me so much joy. It’s strange—those early days feel hazy in my memory. I don’t remember my motivations, but I do remember going out often into my family’s backyard to photograph the summer flowers, verdant trees, and our farm animals.
I’m thankful to have grown up in an outdoorsy family. Though I didn’t always take to that tradition when I was younger, I believe it’s the reason my passion for photographing and exploring the landscape has never wavered. As this passion for photography grew, so did my ambition, confidence, and excitement for life. I was eager to learn, to grow, to create, and to explore new places. After I truly realized nature’s beauty, the world seemed to open up in one way but also close in another. I became obsessive—singularly focused on this one thing that was vast and full of potential. My enjoyment of taking backyard pictures grew into an all-consuming pursuit of exploring every place I could reach in search of beauty, story, and adventure.
Early on in this journey, I also discovered another interest of mine: woodworking. It never took off the way photography did, but it was something I always wanted to do more of. I figured that when I was older and had more money and time, I’d be able to get into it. I’ve always loved the idea of creating things—bringing a few elements together with little value on their own, then using your imagination, hands, and eyes to create something that holds tenfold the value. It’s an incredible process that seems mostly unique to humans… at least on Earth.
As my landscape photography passion grew—and as I did too—things began to change. New ideas came along. Though photography remained my main focus, I started to experiment with combining my other hobbies into this journey as a way to stand out and separate myself from the crowd. One of those was filmmaking, which you can see on my YouTube channel. But the other was, of course, woodworking. I can’t believe it took me so long to realize how natural—and powerful—it is to merge these two disciplines in a meaningful way. And when I made that realization, I couldn’t have been more excited. It lit a spark.
Since the beginning of 2025, I’ve been working tirelessly on this new approach—not only to landscape photography, but to art itself. To go out, find and create something of extraordinary beauty and story, come home and print it on a carefully chosen fine art paper, and then finally frame it in something handcrafted that echoes the beauty of the photograph itself. There’s something deeply fulfilling about being in control of the entire process—about creating the whole display from start to finish.
That’s where my aspirations are now: to keep exploring these combined passions, to continue creating better, more beautiful, and more story-driven works that inspire adventure, curiosity, and an eagerness to get out and do something—because that’s exactly what photography has done for me.
Artist Statement
As a landscape photographer, I strive to capture the remote and incredible splendors of the beautiful natural world. My focus is on sharing my vision of these wild places and inspiring stories of adventure and the pursuit of curiosity in us all.
Being a bit of a loner growing up, I’ve always turned to the outdoors to find my place in the world. It’s only recently that I think I’ve begun to understand why. I believe it’s because the wilderness inspires within me a deep curiosity—a search for those “divine” enclaves specially sculpted by the hands of God. These landscapes are so utterly pure and beautiful that only religious ideas or pictorial representations suffice in describing them. I’m in search of the formidable and dramatic, the idyllic and serene, or the desolate and vast. This pursuit drives my life and steers my photography. Hopefully, my work speaks for itself because this is my goal: to share those stories of exploration in pursuit of finding those “divine enclaves” and to share those “divine enclaves” themselves. My passion has never really been rooted in photography but rather in the outdoors, and in the adventure and meaning it rewards me. Photography simply gave me an excuse to pursue these desires. It was the impetus, the encouraging force that took me from simply finding beauties in the quaint forests of Wisconsin to searching the world for these scenes sculpted by God and sharing them with you. (After thinking further on this topic, I’d like to add that a lot of the joy I receive from landscape photography is from the chase of light and atmosphere. It’s that combination of finding these immaculate scenes permeated with that fleeting splendor—the light, the atmosphere—that leaves me in awe. These powerful moments of transcending beauty and drama are the ones I hope to share with the world).
So, how do I create my imagery? First, I should mention that I’m instinctive with my work. There isn’t much planning involved—tripods are rarely ever used—and I often find myself running around in a frenzy, with my camera in hand, and fleeting light causing excitement as I search for a composition that will tell the story I want. It’s chaotic, exciting, and fun. I’m often winded after a shoot with dramatic light. That being said, when I finally find that scene that speaks to me, there is some order in my process. I’m very precise with my craftsmanship in the field, considering each element and how they work in relation to one another to create a well-balanced photograph. I’m meticulous with my technical settings, making sure each photograph is pure of any errors (although adding on to that, I will admit there have been a decent amount of occasion where, do to environmental factors for various reasons, technical perfection has to take a back seat to storytelling. This is especially the case in violent weather, when I’m exhausted, cold, and beaten down, or when the scene is simply changing too quickly to be worrying about such things). I strive to create something new every time I make a photograph so I’m often finding myself in weird positions: butted up against obnoxious trees crawling with spiders and mosquitoes or barely clinging on to a near vertical scree field. For the right composition, I’m committed, and—as I hope you can see—that commitment speaks volumes in my work.
Because my goal is to share the story of adventure, I’m never fully satisfied with how my camera depicts a location. It’s never enough; it’s always lacking (I repeat, not the location itself, but my camera’s depiction of it). A camera renders a three-dimensional scene into one of only two dimensions. It’s my job, with post-processing—as well as compositional and field techniques—to rectify that limitation as best as I possibly can and with a bit of creative liberty, I can do it well enough to bring that emotion from real life, into the photograph. So, yes, I do utilize software like Photoshop and Lightroom to create a piece of art that represents my vision accurately. Although there are some techniques I shy away from because I consider them untruthful to the story I’m trying to tell, I tend to be liberal with my post-processing efforts. Some techniques I often use include bracketing, time-blending, focus-stacking, dodging and burning, color grading, etc. However, I avoid adding physical elements, or removing them (such as sky replacements, wildlife, buildings, or power lines). I steer clear of adjusting light and color to the extent that if you were there at the time of the photograph being taken, you wouldn’t be able to recognize it. None of the photographs you see in my portfolio are created with artificial intelligence. Though I’ve begun to use A.I. in everyday life to help with various tasks, I will never use it to create a photograph. As I mentioned earlier, photography is about the process of creation and storytelling, and that essence is completely lost with the use of A.I. All of my imagery is meticulously crafted both in the field and in the studio to create what you see in my portfolio.
My goal is to go out, explore, and find something new. I’m not interested in creating the same photograph as everyone else; it has no impact on me. So far, I’ve been able to reach some incredible places in North America, but I’m always striving to go further and stay longer. I’m still in the process of learning all the fundamentals of wilderness travel and survival. This whole thing is not just a passion or attempt at a profession, it’s a way of life, the way I look at life. Photography and exploration is what drives me, keeps me fit mentally and physically, it motivates every decision and guides every opportunity I have. Nevertheless, I hope you take something away from my work. I hope it inspires within you an adventurous spirit. I hope the beauty of the places I photograph transcends into your life. I hope you appreciate the care I put into each and every photograph you see, both in and out of the field. And I hope the stories about pursuing your curiosities resonate with you and inspire you to get out, have an adventure, and explore God’s incredible creation.
Camera Equipment:
Cameras:
Canon R5
Canon EOS R
Lenses:
Canon RF 24-105mm f/4 L
Sigma 14-24mm f/2.8 ART
Tamron 100-400mm f/4.5-6.3
Camera Bag:
Shimoda AcionX 50l
Shimoda AcionX 70l
Accessories:
FLM Tripod
FLM Ballhead
Maven Magnetic Filters
Cleaning Equipment
I wanted to dedicate a section of this page to my good friends at Hunt’s Photo & Video. The team at Hunt’s has played a huge role in helping me establish myself in the photography industry—not only by providing the gear I need to capture the incredible landscapes and light that I’m always striving to find, but also through their generosity and kindness towards younger photographers.
Back in December of 2020, when the world was in the midst of chaos, Gary at Hunt’s reached out to me. He was on a mission: to build working relationships with young photographers and help them achieve their goals by getting their names out there and offering unique experiences and opportunities. When Gary contacted me on Instagram and shared his ideas, I was beyond excited! It gave me something to strive for during a time when school life was essentially nonexistent and any kind of social life was frowned upon, for better or worse.
We set a date for an online call to discuss potential ventures, and although I pursued various ideas we discussed, there was one that truly struck me. I learned an immense amount from it, and it shaped my intention of making a career out of landscape photography. The idea was to do online presentations. Sponsored by Hunt’s, I presented to various camera clubs around America, sharing what I knew about landscape photography. It was an incredible experience for a 16-year-old—I had a ton of fun and gained valuable experience.
Now that the world has calmed down and returned to normal, I am no longer involved with these online presentations, and I’ve begun to pave my own path. However, my relationship with Hunt’s and my friendship with Gary still flourish. There are many things in my life, such as my job guiding in Alaska (2023-2024), that wouldn’t have happened if Gary hadn’t reached out. And I look forward to continuing my work with them in the future.
So, I want to say thank you to Gary and recommend Hunt’s Photo & Video to anyone looking for new or used camera gear. Like they did with me, they’ll help you achieve your goals and ambitions in photography. They truly are great people who run a wonderful business. If you’d like to get in touch with them, please use the contact information provided:
GARY FARBER
gfarber@huntsphoto.com
Cell: 617-595-1992
100 Main Street - Melrose, MA - 02176